Three months into Samumenco’s battle against Torture, the public becomes bored with it, as does Mari, who contacts Konno for an interview where she calls out King Torture himself. Goto warns her to be careful, but she doesn’t listen, and when Masayoshi snaps at him for being late to the scene of a battle to clean up, Goto washes his hands of the whole situation. Konno is kidnapped and tortured by King Torture, and agrees to give up Mari in exchange for being “entertained.” King Torture calls Masayoshi on Mari’s phone, telling him she’s her prisoner, and to meet him for a final battle. When Samumenco’s way is barred by Torture grunts, Harazuka arrives with new weapons and holds them off, allowing Samumenco to proceed to the boss.
It’s a well-known fact that too much of just about anything initially exciting will eventually grow boring, and the interest of its initial admirers will peter out. Time marches on, and with it, new stories, incidents, disasters, scandals, or trends. Even Samumenco’s war against real, freakish, ferocious monsters isn’t immune. The fact is, as long as somebody takes care of them—a duty that falls exclusively to Samumenco once Mari loses interest—the public learns that they don’t really have to care anymore. Samumenco has become just another cop; it’s assumed he’ll deal with the bad guys, and if they keep being dealt with in the same formulaic way, there’s no reason to continue paying attention. Mari, meanwhile, had already half-checked out of the whole enterprise once King Torture named Samumenco, not her, as his nemesis.
And who can blame the King? Masayoshi believes being a hero is his birthright and duty; a end unto itself. Mari has no such lofty aspirations. She fights to keep herself entertained, and when she’s no longer entertained, she ups the stakes. If King Torture is pure evil, pure good is his true foe, and that’s Masayoshi, not Mari. Mari’s impulse proves to be a serious error on her part, since she has no earthly idea what she’s dealing with (Harazuka implies Torture may not be earthly at all). And when all’s said and done, Konno decides to sacrifice Mari, that he might be furthr entertained rather than die an honorable but boring death. The more Harazuka reveals about what Torture is, the more Masayoshi—and we—recoil. The invincible glint in Masayoshi’s eyes in the beginning of the episode fades into doubt. Before he can talk about saving the world, he has to do it, starting with saving Mari.
Rating: 9 (Superior)
- Talk about a turnaround; Masayoshi now has more presence on a TV show poster(and attention at the presser) than MMM.
- For one brief moment, Mari looks hurt when Masayoshi yells at her.
- Goto’s great in this episode. He’s basically sick of being a doorstop (and occasional uniform model) and is fed up with all the whining. Masayoshi’s success, and the subsequent inflation of he ego has definitely been a blow to their friendship.
- Wouldn’t it be grand if Masayoshi swoops in and save Mari, and she’s actually grateful to him, and even develops feelings for him? Yeah, we know…we’re thinking too far ahead
- Very sneaky of the episode to portray Konno’s call to Sumi as another tease at first; turns out he thought he was going to die and his proposal was dead serious.
- Kudos to the show for giving the Torture grunts a voice and some time in the spotlight to tell Samumenco that they’re perfectly content and willing to quickly set aside their lives in the service of evil, weak though they may be.
- We had a feeling Mizuki and Moe were going to swoop in to aid Masayoshi, but Harazuka did just fine. A badass geezer, he.