Arpeggio of Blue Steel: Ars Nova – 07

blue7

With Makie, Haruna, and Kirishima aboard, I-401 docks at her secret home base on Iwoto. The fast battleship Hyuuga, a former fog flagship, is there to welcome them, and she has the wayward Takao in custody. In a virtual meeting with Kongou, Haruna refuses to return to the fleet, vowing to stay by Makie’s side, while Kirishima wishes to continue observing Haruna. Chihaya gives Takao the choice to return to the Fog or stay with what Hyuuga calls the “Blue Fleet.” As repairs on Iona near completion, Kongou orders Maya to rendezvous at Iwoto. Gunzou intends to abandon the base and get the vibration warhead to America.

“Where do we come from? What are we? Where are we going?” Those are the words that precede the end credits, the visuals of which this week went from being the Fog ships’ mental models to their true ship forms, which we thought was an interestingly-timed switch. Those same three questions are recited by Hyuuga, discussing with Takao why she’s abandoned her the original mission. From the first time she spots and gropes Iona, Hyuuga’s hots for her are played for laughs that never occur, but she’s genuinely interested in Iona; at this point, more interested than she ever was in subjugating humans, because that route was never going to help her answer those nagging questions. Hyuuga isn’t the only one with those questions rattling around in her head.

At this point, Iona’s crew has basically been supplanted in show precedence by all the Fog ships, now wrestling with emotions. Chihaya & Co. were merely the catalyst that started what could be a major Fog revolution, or evolution, as Hyuuga supposes it could be. Iona was a mutation: a Fog ship that rather than destroy humans, sought one out and was genetically predisposed to following every order. Iona’s always been comfortable in this role, but when the competitive Takao asks her if she has feelings for her, she can’t answer, and it troubles her. Meanwhile, Kongou is clearly getting annoyed by losing so many Fog ships. But all the events since Iona and Chihaya joined forces suggests she could be on the wrong side of history. Iona is most likely the harbinger (intentional or not) of a future in which Fog and human coexist in harmony.

7_very_good
Rating:7 (Very Good)

Stray Observations:

  • Chihaya is delivering the warhead to America in hopes that its mass-production will even the playing field and force Kongou to enter negotiations. But that’s pretty naive of him. Who’s to say the humans won’t use their new superweapon to simply annihilate the Fleet of Fog?
  • This show is no stranger to superfluous fanservice, and this week it drives that point home with Hyuuga’s attempted undressing of Iona as well as Takao, Haruna, and Iona relaxing on the beach in swimsuits, just ’cause…
  • That said, we hope Kirishima gets her regular body back at some point.
  • We really enjoyed the dinner scene: humans and Fog putting aside their past conflicts and simply sitting down for a meal. This could be a glimpse of the future.
Advertisements

Yozakura Quartet: Hana no Uta – 07

yoza7

Hime has the bad guy cornered with her Dragon Lance, but he still has Kohime as a hostage. He conjures a super-massive lizard, teleports to the top of a building, and prepares to drop Kohime into its gullet, but Mayor Morino and Shinozuka save her. The bad guy reveals himself as Hiizumi Enjin, a descendant of the branch family member sent to the other dimension, possessing the body of Ao’s brother Gin. He stabs Akina, and Kyousuke, Touka, Kotoha and Hime respond by beating the crap out of him. Shidou stops Hime from killing him, and he vanishes. Yuuhi arrives and judges Kohime too young to be mayor.

The third and final chapter in the “Mayoral Crisis” arc takes a little while to get going and is a bit too stationary, but was ultimately an improvement over last week. For one thing, it finally reveals who the hell the old guy is and what he’s after. Akina learns that the branch family members didn’t go to the other side willingly, but as sacrifices, which could potentially make him question his role as dutybound; that, is, if Enjin wasn’t such a dick about things. First he steals the body of Gin, a good friend of Akina’s and Ao’s beloved brother. Then he attempts to kill Kohime and Akina and threatens to destroy the town. None of these actions are bound to endear anyone to his plight or that of his ancestors. But Enjin isn’t really looking for love or sympathy…just revenge.

He and his family were hurt by the head Hiizumi’s, so he’s going to hurt them back. It makes for a rather simplistic, all-too-easy-to-root-against villain, but he’s also a tough cookie and someone who brings out the best in the good guys. When everyone thinks the utility knife to Akina’s chest was fatal, it’s great to see his friends lose their shit and start whaling on Enjin with unrestrained rage. We also liked how Enjin also ended up being too evil for Morino to have anything more to do with, gaining the esteem of his loyal Shinozuka. We were also mildly amused by Yuuhi showing up and in five seconds making the whole mayoral stuggle moot, as Kohime really is too damn young to be mayor. Obviously the mayor thing was just a means for Enjin to announce his presence to Hime and the others, and letting them know he’s not going away.

7_very_good
Rating:7 (Very Good)