Samurai Flamenco – 06

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Masayoshi meets with Harazuka Jun from the R&D department of Monsters Stationary, who provides him with an arsenal of weapons that are technically office supplies and thus legal. Mari invites Hidenori to her apartment and tries to seduce him, without success. Konno puts out a 10 million yen reward for Samumenco’s capture, and Masayoshi uses all of his new toys to elude them. One determined salaryman pursues him up a wall and falls, but Masayoshi saves him; and in return he gives up the chase.

Now that he’s superheroing alone again, Samumenco has his freedom and his dignity, but as the price of his bounty goes up, the threats to his person become greater. You know what that means: It’s Batman Time. Enter Masayoshi’s Lucius Fox: the ninth and final main cast member, Harazuka, and the ridiculous notion that his arsenal consists of pens, staplers, and tape measures. We have to admit, his pursuers look a little slow and hapless at times, but we’ll chalk it up to Menco’s training that he’s able to make them look as bad as they do while trying to grab him. Most importantly, he’s no longer dependent on Samurai Girl to bail him out.

As for Mari, she’s successfully wrangled her fellow idols into joining her crusade—Mizuki because she’s a good, loyal friend, and Moe, because she’s in love with her. Still, it’s clear she still has a specific itch no amount of Moe-kissing or gonad-stomping can scratch: she wants Hidenori to “arrest” her, and comes on strong and a little nuts in their meeting. Nothing doing; the good constable only has eyes for his girlfriend, whom we’ve never laid eyes on (and probably never will, as a running gag). With all the fame and power Mari enjoys, she can’t have the one thing she truly wants. But it’s not as if she’s going to give up…

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Rating: 8 
(Great)

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Golden Time – 07

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Kouko has to go to the police station to sort out her bike theft, and she introduces Banri as her boyfriend to her father. The next morning, Kouko is waiting for him at the station and they walk to classes together. They start dating, but Banri continually ignores Linda’s texts. His neighbor Nana, Linda’s friend, tricks him into coming home to tend to an apartment leak, but he finds Nana and Linda there. He invites Linda in, where they exchange apologies. Linda explains how they knew each other and why she blamed herself for his fate. Kouko calls him, saying Mitsuo is in trouble.

OMGOMGOMG, Banri and Kouko are a couple…EEEEEEE!..Right? Whoaaa, hold your horses: we’ve been down this road before. We know how it sometimes ends. And as soon as we saw the episode title, “Masquerade”, or suspicions only heightened: could Kouko only be pretending to be in love with Banri? But lest we forget, this is a show where the characters are given ample time to explain their actions and feelings, and at the police station, she convinces us that what she’s feeling is real. And then we’re off to the races. There’s a joyful thrill in watching the two interact as a couple, and Banri really takes to the extremely affectionate, dopey lovey-dovey atmosphere of their nascent relationship. In short, he’s over the moon; stupidly happy, and we’re happy for him.

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This episode did what few contemporary anime dare to do, especially this early in a long run: put two people who like each other together, for which we’re grateful. Things even take a turn for the amorous when Kouko finds Banri’s “box ‘o’ stuff”, culminating in Kouko confessing she wants to lose her virginity in Paris. It’s such a Kouko moment, and for all their interactions, you get the feeling that yes, she is a little weird and perhaps a bit clingy, but neither we nor Banri have a problem with that. Right now, they’re exactly the people they need for each other, and aside from a few subtle foreboding details here and there (Kouko’s dad’s talk of her “targets”, and Banri lying to her about the leak), it looks like it could work. Golden Time resists the urge to immediately pull the rug out from under everything.

That’s despite the fact it meets all the necessary conditions to plausibly blow up Banri+Kouko. Yet it doesn’t pull the trigger—not yet at least—but lets us savor the warm, fuzzy glee. Thanks to Nana (proving to be an excellent supporting character), the awkward silence between Banri and Linda concludes amicably. The tension in that room oozes through the screen as the camera closes in on Linda…but while she’s fiercely honest with details about the past (including Banri confessing to her), she doesn’t end up confessing to him. For one thing, she doesn’t feel she deserves to (remember: she was only late to the bridge, not an out-and-out no-show); but it’s also not crystal clear whether she loves him in quite that way. It’s good she didn’t confess, because she has yet to learn that her previous assumption about Banri dating Kouko is no longer wrong.


Rating: 9 (Superior)

Stray Observations:

  • Mitsuo went to get his head shaved, but ended up getting his hair bleached.
  • Mitsuo can’t face Chinami at the moment, which concerns her, because she didn’t mean to reject him for all time. There’s is still a slight arc, but we hope it goes somewhere. Love for everyone! Except 2D-kun, AMIRITE?
  • Banri could have avoided quite a bit of stress by stashing that box somewhere before answering the door. Although in the end, Kouko didn’t mind it. More adult behavior.
  • We’re not sure how Banri didn’t realize the woman in the elevator was Nana. Still, it was a hilarious scene. 
  • Nana is voiced with authority by Satou Satomi, who was cast against type here (at least from what we’ve watched of her).

Kyoukai no Kanata – 07

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Inami Sakura remains in town, and transfers to Mirai’s class. Of evenings she defeats low-level youmu, charging her scythe in preparation to fight Mirai, but grows exhausted from its power and is rescued by Akihito, who takes her to his apartment. Mirai shows up and catches a glimpse of Sakura before she flees. Later the two duel in a sewer pipe. Sakura is no match for Mirai, and is nearly devoured by her own weapon, but Mirai saves her and talks her down. Fujima Miroku, the one who originally gave Sakura the scythe, retrieves its from the sewers. Izumi and Mitsuki observe the start of “the calm.”

You can be the most badass spirit hunter around, but what’s that compared to being a great cook? We kid; we truly enjoyed this episode—enough to award it a 9—but it was very different from last week’s 9. Whether it’s a playful loopy standalone romp or a serious character drama culminating in an earned catharsis, Kyoukai no Kanata it is capable of making any story a compelling one. This week was the dramatic kind, in which welcome resolution comes to the impasse between Mirai and her would-be nemesis Sakura, sister of the friend Mirai “murdered,” climaxing in a cool close-quarters sewer pipe fight. And the episode doesn’t forget how Mirai’s outlook evolved after defeating the hollow shadow.

Not letting guilt and regret consume and define her anymore, Mirai recognizes a similar misapplication of energies in Sakura’s. She knows from experience that Sakura is walking down a one-way road with no solace at its end. As much or more than she thirsts for vengeance, Sakura hates being so unsuited for the work at which Yui—and Mirai—so excelled, and of being unable to carry her sister’s mantle, something she never should have felt she had to do (but was encouraged by Fujima, lending her that scythe). Mirai is able to pull Sakura from falling into the shadowy abyss, for which she’s thankful, and onto a new path of peace, forgiveness, and self-acceptance. We like the change, and it will be interesting to see what the show does with Sakura going forward.

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Rating: 9 (Superior)

Stray Observations:

  • Even in a very straight-laced episode, there was still room for the ol’ “Girl #1 visits when Girl #2 is already there” scenario at Akihito’s place…not to mention that aside with Hiromi’s idol CDs being replaced by Yaoi
  • There, Sakura criticizes Akihitos cooking (likely because she’s a better cook)…though she still scarfs down every bit of her omelette.
  • Were we the only ones who thought the scythe’s vicious tangle of “feelers” resembled Mirai’s beloved udon?
  • Fujima Miroku has been a shifty one since his abrupt intro, so we’re not surprised he was the one who gave Sakura that scythe. Was he just performing an experiment, or did he want Mirai taken out? 
  • That “calm” looks pretty dicey, if beautiful.