Nagi no Asukara – 05

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Chisaki uses Tsumugu as her “sea slug”, confessing that she likes Hikari; Manaka overhears, but Chisaki tells her to forget about it. Akari breaks up with Itaru and tells Miuna she’ll “go away somewhere”; that night Akari calls Hikari in a panic saying Miuna has run away. Hikari and his friends search for and eventually find her, and after a cookout, he stays with Miuna through the night. When Akari finds them sleeping outside the store where she works, she tearfully embraces Miuna, ensuring her she’s not going anywhere.

Ahh, little kids…hardly ever properly expressing how they really feel. How can they? They’re kids…they’re still trying to figure out what feelings even are. Fixing the Miuna issue is a matter of Hikari telling his big sister to leave things to him, and creating the right conditions to get her to open up about what’s truly bothering her. It’s pretty obvious she doesn’t really hate “Aka-chan”; her problem is she loves her, but when terms like “new mom” come up, she can’t help but think about how she lost her old mom, and how much it hurt. An increasingly layered Hikari admits that he’s often thought as Miuna has, but choosing to never love anyone ever is simply replacing one kind of pain with another. It’s running away.

This was a very moving episode with lot of tears involved, especially any scene involving Akari. This was fine with us, as we thought Nazuka Kaori delivered a passionate, compelling performance (we can’t remember hearing Eureka’s seiyu getting so worked up – she was so reserved in Amnesia – but it was nice). She admits to Itaru she loves him and Miuna too, but calls herself a “greedy child” who wants wants everyone to be happy and to have everything work out. But  giving up on them wouldn’t be any more ‘adult’; it’d just be more running away. Both she and Miuna, the actual child in this, want the same thing: to be together and happy – not as mother and daughter, but as Akari and Muino. Thanks to Hikari, of all people, they’re on their way. Nice job, Hikari! Inspired by the reunion, maybe now he’ll see to his own troubles…


Rating: 9 (Superior)

Stray Observations:

  • Oh yeah, Manaka now totally knows Chisaki likes Hikari more than just a childhood friend! Chisaki tells her to forget, but she can’t, and now every time she sees Chisaki around Hikari, it’s in that new light. It troubles her and will continue to trouble her, but wasn’t the primary focus of this episode.
  • Chisaki used Tsumugu as her sea slug, Miura used Hikari as hers, and Manaka wonders what she’d ask a real red one next time she comes across one. Mana, just use Kaname or something!
  • Hikari and Akari have an awesome dad. Obviously he’d probably hoped she’d marry a sea-dweller, but he tells Lord Uroko his daughter’s life is hers to do with what she pleases. Besides, her marrying a sea dude she doesn’t love isn’t going to solve all the problems Shioshishio is going through.
  • Miuna has to kill the mood by brining up “dolicons.” She just had to get that barb in, didn’t she! Still, it’s a nice detail that she notices Hikari smells like her mother and Aka-chan, which comforts her.
  • No Sayu? No problem.
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Samurai Flamenco – 04

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With his crime-fighting skills improving under Joji’s tutelege, Masayoshi decides to patrol a more dangerous district, despite Goto’s warning, and gets beaten up and taken hostage. He’s rescued by “Flamenco Girl”, AKA Maya Mari, who had been preparing for her hero debut when Masayoshi beat her to it. She blackmails him into joining forces, forcing him into a subservient position and using more brutal methods. Goto receives orders from above to look out for the Samurai couple and be prepared to make an arrest should a citizen lodge a complaint. Goto tells them, but they refuse to give up, and Mari tazes him with her wand for which they apologize the next day, while promising to tone things down.

Well now, that was an interesting course of events. In four episodes, Sam-Flam has kept things fresh and moving at a good clip. Here we see Joji’s coaching having a positive effect on Masayoshi’s budding career as a hero, but because Joji’s also a bit of a flake, Masayoshi doesn’t have backup, leading to him getting in over his head, and then rescued by Flamenco Girl in extravagant fashion. Our first thought was of Death Note’s Misa-Misa, another idol who inserted herself into a guy’s life (and didn’t give him a choice in the matter). But Mari isn’t a copycat; she was planning to be a hero all along, and her demeanor is more of annoyance at him beating her to it than admiration. She’s not his admirer; he’s her fly in the ointment.

Where Mari and Misa are alike is in their complete lack of subtlety or discretion. From her giant pink Hummer H2 (we did spot one of those while in Tokyo) and her multi-function wand of punishment, to her repeated kicks to her captives’ junk, Mari is a loose cannon, one who’ll be looking at the wrong side of a jail cell if she keeps up her unsound methods. Fortunately for her (though she may not see it that way), her new partner knows a good cop. Masayoshi plays the submissive sidekick as long as he can, enduring the damage to his hero pride, but when Mari hurts Goto in a misunderstanding, he snaps out of it and reigns her in. If they’re going to do this, they’ll have to do it right.

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Rating: 9 (Superior)

Stray Observations:

  • Goto realizes Joji likely forgot Masayoshi’s name…again. But Joji’s unexpected “Don’t get cocky!” chest punch was even funnier.
  • While Masayoshi is a hero otaku, Mari’s into magical girls, desiging her persona accordingly.
  • Both Mari and Masayoshi spend only the briefest time at their “day jobs”, which they seem less and less interested in, which doesn’t bode well for Sumi, Mizuki or Moe.
  • Mari blushes when she first sees Goto in uniform. Look out, Goto’s nameless girlfriend!