Black Hanekawa reads her mistress’s letter, which boils down to a plea for help, so no one is hurt because of her. Black Hanekawa accepts the plea and confronts the tiger Kako just as she is about to burn down Senjougahara’s house. Kako will hear nothing of returning with Black Hanekawa to their “older sister’s” heart, and Black Hanekawa is only able to delay her for a few minutes. However, that delay enables Araragi to arrive in time to subdue Kako with the Kokoro Watari sword. Hanekawa re-absorbs both Black Hanekawa and Kako, giving her striped hair. She confesses to Araragi, is rejected, and asks her parents for a room of her own in their new house.
As we expected, the last four episodes were all carefully building up to a confrontation between Hanekawa and her wayward “younger sisters.” They were monsters created by her eighteen years of attempting to be as pure, white, perfect, and inoffensive to others as possible. They were pieces of her heart that were shorn off and took on lives of their own. Once those pieces threatened her life and those of her friends, she had to take a stand and decide to go back on those eighteen years of purging imperfection and embrace her humanity; the black and the white. Her heartfelt letter is beautifully rendered with a clever graphic narrative of traveling the world aimlessly, and that letter moves Black Hanekawa to act on her mistress’s behalf. Her other “little sister”, Kako, fueled by envy (not stress), is far more powerful and wild and far less sympathetic.
Kako doesn’t consider Hanekawa family and believes she’s reaping what she’s sown. Whatever she wants but cannot have will be burnt. Black Hanekawa is no match for the tiger, but she doesn’t have to be. Part of the imperfection Hanekawa needed to embrace was the willingness to rely on others besides herself (and Black Hanekawa was just herself). Her attempt to stop Kako was enough to delay Kako just long enough for her love, Araragi, to arrive with a helping hand, aiding her transition to true humanity. The new, bi-color Hanekawa may dye her hair all black to avoid strange looks at school, but she’s no longer averting her eyes. From now on, she’ll confess her love and let herself be hurt and cry, and let herself demand a place in her rightful home. She will accept all the parts of herself, and love all of it.
Rating: 8 (Great)