Madoka blames Akiyama for driving her brother crazy, leading to his death. She snatches the dog and jumps out the window. Natsuno meets her in a park, and they have a duel, which Natsuno wins. After the battle they become cordial. Kazuhito then figures out that Hiiragi was responsible for perpetuating the slasher rumors, in order to break Akiyama’s slump. Natsuno hears all of this and chastises Hiiragi, warning her to stay out of affairs. Hiiragi later admits she dealt with the real slasher before Natsuno’s investigation began.
Even had this been an exceptional episode, we still wouldn’t have kept watching InuHasa. Any way you slice it, fifteen shows is too many, and we’re much more interested in the other Gonzo series (Kimi no Iru Machi), so this will be the last InuHasa episode we review. It goes out on a decidedly low note, filled with awful dialogue, random twists, and its centerpiece is an escalating battle full of cheesy cliches that even the characters admit is completely pointless. It also featured way too much of the loathsome, one-note masochist Hiiragi Suzuna, who frankly gives masochists a bad name.
There remain elements of a potentially interesting story: how Kazuhito ended up in a dog’s body; if and how he’ll be able to escape it, for instance. But at this juncture we just don’t see the profit in continuing to wait for the series to get around to telling that story to our satisfaction. Akiyama Shinobu says she believes in her readers and would do anything for them, but there’s nothing she can do for us. If the writers of this series gave a crap about their audience or their product, they would have put more care into these last few episodes. So we’ll put just as little care in our final assessment of InuHasa:
It’s a dog.
Rating: 3 (Bad) (Dropped)
Keima is confident Shiori is hosting a goddess, but he can move on to anyone else, he’s cornered in the library by Tsukiyo’s doll, Luna, who reveals that Tsukiyo is hosting the goddess Vulcanus, who cannot move her body but only manipulate other objects. She attacks Keima believing him to be unfaithful. Meanwhile, Nora discovers the miasma-covered Kanon, and Haqua has to explain. Keima gets beaten up to the point Tsukiyo trusts him and gives him a kiss while he’s passed out. The kiss boosts her goddess powers and she sprouts wings.
Diana meets with her sister and Keima takes them to Kanon, where they combine their powers to remove the Vintage Weiss curse. Even so, Apollo is still very weak and casts a “hydration” spell on herself, keeping Kanon unconscious. With three goddesses left to awaken, Keima reaches a deal with Nora to delay her report to her superiors for a week. Jealous of her sister’s wings, Diana/Tenri confronts Keima right as Haqua is insisting he tells her he needs her. Keima apologizes to Diana, and she sprouts wings as well.
Keima is deep into the RPG of his life, with the role of agent of the preservation of New Hell, only he isn’t playing a game. Whereas the first season of TWGOK, the stakes were limited to his life and perhaps the lives of his conquests, this time an entire dimension is at stake, only the united goddesses can save it, and only he can release them from the girls he’s conquered. So far so good; despite working with limited resources and a very tight-knit network of girls with endless possibilities for slip-ups, he’s comported himself well and even facilitated the release of the curse on Kanon.
As the details of Keima’s grand mission and the myriad complications from all sides pile up, the entire series is ever on the cusp of being swallowed up in plot, but this season has been very clever at dispensing huge amounts of exposition while keeping the story moving with swiftness and urgency. It also knows just when to lighten things with a quip or observation that all of this is, in fact, quite absurd. An example of this is the fact that while the girls who remember loving Keima are all competing against one another, so too are the goddesses they host, and even Haqua is competing with Nora for Keima’s favor. Never a dull moment for this guy.
Rating: 8 (Great)