Still on their class trip, Sasami (using Tama) tries to become closer friends with Edogawa Jou, who believes she has ulterior motives. As they spend more time together, Kagami grows depressed. On the night of the summer festival, she storms off, and Sasami chases her. Kagami believes she’s broken because she isn’t happy about Sasami being friends with Jou, but Sasami assures her its a very human way to act. Switching to Tsurugi’s body, Sasami enjoys the fireworks with her brother on the beach.
This was a quiet, pleasant little episode before the finale in which Sasami continues her use of Tama to experience more of normal high school girl existence, which includes class trips. Ironically, while she’s striving for an ordinary life free of the burdens of her previous station as vessel of Amaterasu’s power, the friends she’s made thus far are anything but normal. Kagami is still coming to grips with what being a friend means (as opposed to just a “practice doll”), while Edogawa Jou sees everyone as either enemies or servants (and to her, a lover goes in the latter category).
Frankly, it’s okay that Kagami and Jou are so weird. We also like how being with Sasami has made Kagami so much more human, as she expresses jealousy and lonliness. Kagami has grown quite a bit right along with Sasami. Jou seems far denser, as everything has a meaning other than its simplest interpretation to her, but we enjoyed hearing her less-aloof servants (not friends of course!) Foxie and Babysitter try to steer her right, even if they don’t always succeed. She may consider herself Sasami’s arch-nemesis (and she may yet prove why in the finale), but for now, Sasami (and Tama) are fine with being her friend too.
Rating: 7 (Very Good)
- We liked how Sasami’s trip was documented via strange postcards that her mom and Micchan recieve.
- Edogawa doesn’t have a dick anymore. Good for her!
The Maiden club arrives at the beach. Masuzu and Eita set to work trying to convince the other girls they’re a real couple, but they aren’t buying it. Ai tells Suzu she won’t forgive her if she’s just been stringing Eita along. Suzu devises a scheme in which Eita gives her casual kiss goodnight, but before he can, the other girls present them with matching straps as a sign of their membership. The gesture depresses Masuzu, and she doesn’t leave her room in the morning. While on a stroll, Eita bumps into Mana, who tells her she’s glad he’s come to like her, and sees him as a worthy “accomplice” for her big sister.
Masuzu and Eita believed this entire beach trip would be one tense battlefield from start to finish, and considering how they ham it up on the bus, they may not have the resources to succeed in fooling Chiwa, Ai, and Hime, despite how compromised they may be by “love on the brain”. The fact is, Suzu’s three rivals not only get along with each other famously, but aren’t making over-concerted efforts to steal Eita away. They make a gesture here and there, but enjoying themselves at the beach takes precedence. This pragmatism comes to a head when Eita and Suzu’s plan is foiled by chance, when the girls decide to give their club founder a token of their esteem. All of their earnestness wears Masuzu down until she becomes more depressed with herself.
But as Mana points out to Eita in an exchange that becomes surprisingly civil (considering it started with a bike accident and his hand on her bum), Suzu’s sister Mana tells him the whole story of why her sister is so all over the place. As her father’s status symbol, Masuzu has been acting and pretending so long, Mana believes she’s “gone crazy”. Suzu doesn’t know who the real her is anymore, so she jumps from warm to cold, and strings Eita along for the rid. The thing is, Eita hasn’t minded this. He’s enjoyed his time with Masuzu, even the blackmail and abuse. And when she says she’ll release him after the trip, he seems apprehensive. So who’s he ending up with? We’ll see if the impending contest in the finale carries any answers.
Rating: 8 (Great)
Saki charges the queerat-raised child with a disguised Kiroumaru ahead of her. The kid kills Kiroumaru, and death feedback kills him. Yakomaru is captured, and after a show trial, is sentenced to eternal agony. The central library, temple of purity, and Saki’s parents were all lost in her absence She returns to work at Exospecies control, where Satoru tells her he’s discovered the shocking truth about queerats. Time passes, Saki and Satoru get married, and ten years later, Saki completes her book. She is with child, but it is now an object of hope, not fear.
This was a strong and emotional end to a strong and emotional series that asked a lot of tough questions about human nature and how our desire to survive can lead to questionable decisions that bite us in the ass later on. We watched a civilization of people who are programmed to die if they kill fear the powers of their own offspring. We learned that humans with cantus decided to mix non-cantus humans with naked molerats to create a new species they could control and kill without feedback. Though they lacked cantus, queerats still did all they could to survive. Kiroumaru gladly gives up his life for Saki if she saves his colony, and she succeeds. We liked the elegance of the plan to take out Maria and Mamoru’s kid, but share Saki’s sadness that he had to go.
What’s gratifying about the ending is that we go back to all the events of this work and think about how all of it came from the pen of a thirty-something Saki, sitting safe and comfortable in her lovely home with a bun in the oven. Her survival was never in doubt, but everything else was up for grabs, including what had become of her and where he was writing or recollecting this. Few of us can say we’ve lost as much as Saki lost in her still short lifetime: family, friends, lovers, and even memories. But in the end, she carried on with her life, started a new family with Satoru, remembered everything about her old world and wrote it down, in hope the new world will be better for her child. She’s a strong one.
Rating: 9 (Superior)
- Not a single frame was wasted as this episode was dotted with gorgeous vista after gorgeous vista. We’ll miss this beautiful world.
- We agree that Squealer deserves punishment for murdering so many, but “eternal hell”? That’s harsh.
- We’d heard Dvorak’s ninth symphony many times before, but we didn’t know it was called “From the New World.” It’s gotta be one of our favorite pieces of orchestral music, and the title suits it perfectly.
- Seeing that Satoru survived with Saki and they eventually married and had a kid made us very happy.