RABUJOI apologies for the delay of this review.
The Usagiyama High Cultural Festival approches, and the Baton Club gets a primo spot in the schedule, when they’re assured the largest audience. Captain Midori designs the uniforms and volunteers to come up with the choreography. However, she can’t think of anything, and hides her creative block from the others. When she misses a day of school with a fever, Tamako, Kanna, and Shiori visit her, and she admits she has nothing. They decide to come up with choreography as a team, and perform splendidly. When the festival concludes, Choi, having noticed a mark on Tamako’s neck, declares her the Prince’s Bride.
Virtually every school-themed slice-of-life series is going to have a Festival episode or two that gives the characters defined goals and challenges them to rise to the occasion and meet them, and Tamako Market is no different. What’s admirable about the series is that the core characters are in a club (the baton club), but it hasn’t been a particularly integral part of the series. The show hasn’t lived and died by their…er...batoning; which is nice, because far too often it seems like series are dominated by club activities. And far more important than the actual performance (which was pretty good), was how the Baton Club arrived there.
Midori, the Fearless Leader, turns out to have quite a bit of fear after all. She cannot come up with choreography she promised, but maintains a false facade of control and confidence as long as she possibly can. Ultimately breaks down when presented with all of the evidence she’s failing. She’s afraid of looking bad, even for a moment, but her team don’t want her to cry or hold anything in. There’s no shame in asking for help, or crying, for that matter. This episode is a feast for the eyes, with a plethora of nice little gestures, close-ups, hair-falling, leg-twisting, and eye-glazing. The characters really feel alive. We also liked the generous use of jump-cutting. Very, very nicely directed and animated.
Rating: 8 (Great)
P.S. Choi finally confronts Tamako with her belief she’s the one who must marry her Prince. Whether this goes anywhere at all, we’ll have to see.