Maou decides to begin agricultural experiments and education in a small village. Yuusha meets Maou’s longtime Head Maid. One night two serfs – sisters – break into the stables. The Maid is ready to turn them in, but Maou and Yuusha let them spend the night, and the maid eventually offers them jobs as maids. Maou begins enriching the land and educating the village youth, the first small step in her and Yuusha’s crusade.
Whenever characters have such well-defined traits and limitations – be it a queen, hero, maid or serf – there’s the risk of them becoming mere allegories in service of the plot, at the cost of emotional connection to them. Indeed, every character here is a manifestation of an idea/worldview first and foremost. The Maid is cold, logical, and unyielding, but tempered by her master’s authority. While she may sound cruel in making no distinction between serfs, slaves, and insects, she knows no other way to express these concepts. Her role doesn’t require her to distinguish between insects and humans who can’t or won’t determine their own fate.
But there’s something very weird and cool going on here: despite the characters being such strong archetypes, the sense of order that ensues is comforting and reliable. And Maou and Yuusha remain a cute, warm, and surprisingly witty couple; even if Yuusha doesn’t seem to be doing much yet, it’s clear just his being with Maou lends her emotional and moral support. We like how she gets into the nitty-gritty of agriculture and illustrates just how much careful, intricate preparation will be required to achieve their ultimate goal of peace.
On top of all that work, Yuusha isn’t even sure what peace is and where his place will be in that peace, other than by Maou’s side. After all, who needs heroes in a perfectly resolved world with no enemies to defeat or battles to win?
Rating: 8 (Great)