Kamisama Hajimemashita – 11

In the first half, a bored Mizuki sees Kurama on TV and decides to travel to Tokyo to get some pointers on acclimation to human culture. When he arrives, he is appalled by the level of pollution, crass rudeness, and monetary system. He ends up being invited to a TV Tokyo party by one of Kurama’s handlers. Trying a drink from a drunken man, he falls ill, and wakes up under the care of a young woman also new to the city and struggling to fit in, but is determined not to give up. Mizuki thanks her for helping him by giving her some of his homemade sake.

In the second half, Nanami takes Tomoe to an amusement park, where he repeatedly refuses to talk about a hairpin he has and who it may belong to. He does eventually have genuine fun on the roller coaster, and fixes her hair in a bun but later on when he denies having known and loved Yukiji, Nanami runs off in distress. She ends up riding the ferris wheel at night alone, but when she accidentally messes up her bun, the hairpin falls out, and Tomoe suddenly joins her in the ferris wheel car, telling her it was a gift for her all along.

Another great two-parter from a series that’s been very consistent in the quality of its storytelling. Mizuki isn’t the least annoying character in the world, but a fish-out-of-water segment works out perfectly for him, as his arrogance is set aside and his confidence put to the test. Simply put, Tokyo eats Mizuki alive in short order, and it’s pretty amusing to watch him fumble his way around town. Fortunately fate smiles upon him, as he meets up with Kurama, then meets a kindred spirit who lends him a helping hand, lifting his spirit in the process. This girl doesn’t even get a name, but she sounded an awful lot like Orihime Inoue (Matsuoka Yuki), and we really liked what we saw of her. This series doesn’t skimp, even on minor characters.

The second part, Nanami is in high spirits over a day of activities Tomoe didn’t even verbally agree to, and then she gets suspicious over that hairpin, which she assumes was Yukiji’s. The thing is, after running away from him, she never presses him on why he said he never knew any such woman, and continues to insist he knows nothing about women, including her. Is he lying, or is there something up with his memories? We were right there with Nanami in his past, so we’ll go with that for now. Regardless of his presumed inexperience with human women, he’s got a live one in Nanami, and it’s clear he cares about her beyond his duties as her familiar. If he just wants to “live [with her] in the here and now”, she’s fine with that.


Rating: 8 (Great)

Chuunibyou demo Koi ga Shitai! – 11

Three weeks after Rikka removes her eyepatch, Touka takes off for Italy. Yuuta is impressed by her progress, dressing and talking normally and even reaching out to make friends in class, but a part of him is uneasy. Shinka also notices there’s a forced quality to Rikka’s transformation, and Yuuta’s support of it. Multiple attempts by Dekomori to say her back into the realm of fantasy fail miserably. Yuuta helps Rikka clear her room of unnecessary clutter. She tells him her mom wants to go to her dad’s grave with her. Yuuta tells her he’s fine with it, and lets her go, even though part of him doesn’t know if she’ll come back.

This is where it gets tricky. On the one hand we commend Rikka for being so dedicated to kicking her Chuunibyou to the curb and starting to act like an ordinary high schooler, but the cold-turkey manner in which she quits…just doesn’t sit right with us. Or Shinka. Or Sanae. Or even Yuuta, who appears outwardly proud and supportive of her choice, but is now having regrets that so much of the girl he fell for is just…gone. It’s like she’s a different person. Life needs a little magic; get rid of it all, and its hard to take joy in life. Sanae makes things even more difficult, especially because she’s echoing voices within Rikka and Yuuta they’re trying desperately to tune out. Sanae is so distraught over essentially losing a friend, even Shinka offers her comfort.

We know why they’re both so keen to stick to their guns: Yuuta promised Touka he’d help set Rikka on the straight and narrow, and Rikka, no longer obsessed with what doesn’t really exist, now has to come to grips with things that do; the things she ran to Chuunibyou to get away from in the first place. But this isn’t entirely fair. Her mother’s happiness and her sister’s peace of mind are important, but they shouldn’t come at the cost of her happiness. Everybody’s winning here except Rikka. Yuuta knows what has to be said in the face of Rikka’s brave front – but he can’t say it, because part of him is beholden to the normal Rikka her family wants. Now that the eyepatch is off, there may be no going back. Growing up can be a bitch.


Rating: 7 (Very Good)