Hakaze instructs Mahiro to return to the scene of Aika’s death, where he uses talismans to cast a spell that will draw out information on his sister’s killer. While the process unfolds, he advise Yoshino to clear out to find his family (and non-existent gf). Evangeline gets the jump in Yoshino, but he uses talismans Mahiro gave him to use magic to thwart her. The two make a deal, and she learns that Aika was Mahiro’s girlfriend. Samon orders his dog Natsumura to capture Mahiro, who takes him on, ignoring Hakaze’s warnings.
Takigawa Yoshino is in quite a pickle. His world – Aika – is pretty much gone. His best friend, her protective older brother, has no idea, and probably wouldn’t take it well no matter how much Shakespeare Yoshino recited. Mahiro pays lip service about helping Hakaze prevent her family from upturning the world, but he’s really driven by vengeance. Mahiro would destroy the world to get his revenge; Yoshino doesn’t think there’s any point to it. But like we said: his world is gone and has been for a year. If the world is destroyed, would he care?
We really dig Yoshino’s stoic but still potent melancholy in contrast to Mahiro’s barely-contained mouth-foaming rage. We don’t even mind him quoting Prince of Denmark here and there (as opposed to some cliched villain) because it’s something he may have read in class or found in the library that resonated with him – Aika being his Ophelia. Theirs was a quiet, secret love, one her brother would never understand. One can help but wonder with all the references what precisely led to Aika’s death, and whether Yoshino was in any way involved, which would be another reason to keep tight-lipped around Mahiro. But between carving up mages and cleaning Hakaze’s garage, Mahiro may uncover the truth – whatever it is – himself.
Rating: 9 (Superior)