Chitanda invites Oreki to a shrine for New Years to show off her kimono and deliver a bottle of sake to its owners on her father’s behalf. They also visit Mayaka, who is helping out as a shrine maiden. She is in charge of lost and found and selling fortunes. Oreki gets a “misfortune”, and he and Chitanda end up trapped in a storage shed. Not wanting her father’s friends to get the wrong idea, they throw personal items out of a hole in the shed so they’ll be taken to Mayaka. Satoshi arrives when Mayaka receives Chitanda’s purse with a string around it, which Satoshi recognizes. He races to the shed and frees them.
Oreki Houtarou would argue even now that his investigative and deductive skills are simply a matter of good luck, but an ominous mis-fortune spells trouble, and this week he has none of his usual luck. Don’t get us wrong: Oreki is not unlucky because he’s trapped in a dark, cold shed with Chitanda Eru in a kimono that makes her look like a perfect doll. He’s unlucky because he’s locked with her in a shed on the grounds of a shrine whose owners are friends of the Chitandas. Oreki gets a little bit of how rich people interact, and if one’s young, attractive daughter were found locked in a shed with a peasant like Oreki, Chitanda may not have to commit seppuku or anything, but it wouldn’t look good. One gets the feeling Chitanda wouldn’t even mind if this situation had happened elsewhere, and if it wasn’t cold.
So yeah, even if something was going to happen, or if it would be construed that way by a third party, nothing can happen. In this regard, there was a little less romantic tension between Chitanda and Oreki this week than last. After exhausting escape plans that would draw attention and/or destroy the shed, they must rely on the very efficient lost-and-found network of the shrine, in which lost items are sent straight to Mayaka without delay. When subtle items don’t work, Oreki gets lucky again, in that Fukobe recently watched the same Nabunaga historical TV drama he did, and will understand when Chitanda’s purse is sent with a string around it, it indicates they’re “trapped like rats.” Another fine standalone episode with a beautiful setting (when not in the shed) and festive atmosphere.