Sket Dance – 72

In the first half, Chiaki brings a student to the Sket-dan who has fallen victim to a dastardly pickpocket known as Kagerou or “Shadow Wolf.” They seek to apprehend him using Himeko as a decoy, but they find themselves outmatched, until ninja descendant freshman Katou Kiri intervenes. In the second half, the student council’s new treasurer Usami Hani is introduced. In her normal state, she hates men so much she completely ignores Tsubaki. When he touches her, her sexy, boy-crazy alter ego Bunny-chan emerges. After getting a headache, Tsubaki insists the final concil slot will be filled by a male – enter Katou Kiri.

Sket Dance’s policy regarding characters seems to be “the more, the merrier”, and in the case of the two new characters introduced this week, there’s no reason to change that policy. Both Katou Kiri and Usami Hani leave underwhelming first impressions early in their respective segments, but then they show an entirely different side of their characters. In Kiri’s case, he feigns slow reflexes to hide his ninja skills, but uses them to bail Himeko out of a serious situation (one of the only times we can recall she’s at knifepoint; while Bossun is unconscious).

Katou Kiri is okay, but of the two, we preferred Usami Hani (voiced by Yuka Iguchi), who has the extemely bizarre quality of totally changing personalities based on which gender touched her last. The relay system she sets up with Minorin tests Tsubaki’s patience, as does her jumping to conclusions when he’s direct with her. Fourth Wall expert Saotome Roman chimes in at a couple opportune times to give her assessment, which was much like ours: uninspiring at first, but turns out to be very quirky and not without potential.


Rating: 7 (Very Good)

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