The film’s ending doesn’t sit well with Ibara, Satoshi, and Chitanda, and they let Oreki know one by one that they don’t believe it was what Hongou intended. He agrees with them, and he can’t stop thinking about it, so he confronts Irisu and gets her to admit she wasn’t looking for detectives, but script writers, and determined that Oreki’s was the best. Later, Oreki tells Chitanda the story he thinks Hongou wanted to tell.
Last week, the mission was completed, but the mystery remained. This week, the mystery isn’t entirely solved, but the truth about Irisu’s motivations are revealed, and Oreki returns to the role of detective and not script writer. Satoshi turns out to be pretty spot on with everyone’s tarot symbols (they cartainly carry more weight here than in Arcana Famiglia). Even though Oreki doesn’t see The Empress in Irisu, a little quick digging shows that’s indeed what role she played in this arc. Recurring keywords include material prosperity, power, desire, and satisfaction, along with the more obvious sexuality, pleasure, physical attraction and beauty. Irisu used her powers of persuasion to achieve her own goals and prosper from the success of the film, irregardless of whether Hongou’s intent was preserved. The ends justified the means.
This four-episode arc is bookended by online conversations between Irisu and a mystery senpai labelled as “atashi” or “me”. Who is this senpai? We don’t know, but he or she is the person who led Irisu to ask the Classics Club. (We’re guessing it’s Oreki’s older sister, since she’s “halfway across the world”, among other hints.) Irisu warns Hongou that things won’t turn out the way she intended, and they don’t. When it’s all over, the senpai mocks Hongou and the others for falling for the ploy, and Irisu feels kinda bad about what she did, even if she believed she had no choice. It was a tangled web she wove, and served as a wake-up call to Oreki, who knew something wasn’t right with his conclusion. His friends confirmed his doubts, he called Irisu out, and he whipped up a new and more fitting end theory. Too late to change the film, but not too late to regain his confidence.
Rating: 8 (Great)