In part one, the Sket-dan hangs out with Momoka, who is worried about her impending role in a stage play. The script contains extremely simple dialogue, leaving the actors to interpret it how they choose. Practicing with Bossun, they play the proposal scene straight, then Switch makes the character her hulk-like father in a postapocalyptic setting; then Bossun and Momoka pretend to be Americans, saying whatever English phrases sound vaguely like the Japanese dialog. At her rehersal, Momoka sings her lines, impressing her director.
This part was all about taking a simple idea – like the sparse script – and coming up with several very different interpretations. It succeeds giving Bossun and Switch different personas for Momoka to bounce off of. We like the idea that Bossun is a good actor in his own right, and here he even throws off his coyness and embraces Momoka. He ceases to be Bossun and becomes the dull character. Bossun is the kind of guy who could well be good at everything – as long as he puts in the effort. Both the opening scene at the karaoke and the rehersal with the director prove that Momoka can do no wrong; she’ll always find success no matter what she does.
In part two, Himeko is contemplating what she wants to do in the future when Roman busts in with news: her manga has won a prize and has been published in Margerine magazine. It’s a poorly-drawn, rambling affair, but the Sket-dan agrees it is at least fun. Momoka’s protege Fumi shows her her own manga. Momoka is very impressed, and suggests they work together to get more of their work published.
Roman is an interesting character in that she more than any other non-core character manipulates and changes the rules of the episodes in which she appears. She is a master of time, space, and matter, able to create scenery and transitions like some kind of sorcery. The sket-dan can even inexplicably hear her inner voice. Like Momoka, Roman has managed to find success despite not having the best technical skills – her drawing is shaky and the story is a random mess, but the editors chose it for its sheer audacity. As usual, the sket-dan’s commentary during her manga presentation provided ample laughs.