Araragi Koyomi formally introduces his sisters Karen and Tsukihi. Karen is an aggressive athletic tomboy who, while Tsukihi is even more aggressive, but with a more feminine and innocent outward appearence. Koyomi then pays a visit to Sengoku, who seems to be in an unusually playful mood. When her mother gets home, Koyomi migrates to Kanbaru’s, where he busts in on her naked, then teases her by making the case she’s a more normal girl than she lets on.
Things you’re assured to get lots of in spades (besides kuro color cards) in Nisemonogatari: intense, intimate close-ups, particularly of girls; innovative and often downright raunchy poses by said girls; visually stunning ‘sets’ – I mean, a waterfall of books complete with rainbow? Applause. You’ll also get lines like this: “There’s harder BL on a lower stratum!”, made all the better when spoken with utter conviction by Miyuki Sawashiro. In other words, you get lots of weird, offbeat stuff. This season seems to be kicking up the sexual tension.
This episode further reinforced our perception of this series as an ‘anime play’ – it was mostly one-on-one conversations in fixed settings, after all – first, Sengoku’s house, then on the street with Karen (nimble lil’ minx, her), and finally in the liturature-replete home of Kanbaru. We also like how these familiar characters from Bakemonogatari underwent subtle but effective visual makeovers. The busy, kinetic opening focused on Karen as a bee spirit of sorts. There’s a foreboding to Koyomi’s description of his ‘fire sisters’ – as if there are many out there who believe they’re some kind of heroic duo. He contends his kid sisters merely have vivid imaginations and aren’t above exaggeration.