At the end of summer vacation, the club attends a festival, where Kodaka samples various inferior takoyaki, Rika wins an XBox, adn Sena and Yozora are constantly competing over the games. They settle down, regroup, and fire off some fireworks, but Yozora’s hair catches fire. Kodaka douses her with water, but Yozora goes home in a snit, and isn’t seen again until she arrives in class on the first day of the new school year, with a new ‘do that makes Kodaka instantly recognize her as his old friend, Sora. Yozora is overjoyed he finally remembers.
The first four fifths of this episode were nothing to write home about, nor write much of anything about; it was pretty standard festival fare with a couple tired rivalries mixed in. But it foreshadowed what was to come when Kodaka has a dream the previous night about his childhood friend. They give each other unique names; she calls him Taka, he calls her…well, the name is “sparkled” out, but at this point, you know he’s just on the cusp of remembering.
What elevasted this episode from mediocrity and into standouthood was the final scene in class. It was a very touching moment that was a long time coming. In the end, all it took was a haircut! Of course, with only one episode left, the series can go one of two routes: continue from this moment, with Kodaka and Yozora/Sora reconnecting, or with a silly, self-encapsulated episode that takes place before or independent of this payoff. Rewinding would truly be a shame, though…we want to see this development further explored, as it totally changes their relationship.
Himari only has one night to live, and Shoma doesn’t leave her side. She tells him in a dream to save Kanba, who has fallen victim to a curse that turns his love against the world. He is Sanetoshi’s puppet, and Sanetoshi wants to destroy the current world. Sixteen years ago, he and Momoka met. He killed her, and she killed him, but each only halfway. She ended up within penguin hats, while he ended up in two black rabbits. Sanetoshi uses Kanba to lure Ringo to the aquarium, where he burns her diary. There’s still hope as long as the hats survive, but Shoma can’t do anything without his brother.
Does this episode border on the overly melodramatic at times? Yes, but as far as we’re concerned, the series has earned it, and it always keeps things grounded with the cartoon penguins. It’s taken twenty-three episodes, but nearly all the pieces have fallen into place. We know Sanetoshi is the villain, and he’s recruited Kanba with the promise to save Himari if he helps him destroy the world. Kanba only cares about Himari and nothing else, but could that attitude be the product of the curse brought upon the Takakura siblings sixteen years ago? In any case, Momoka and Sanetoshi had a spat, came to a dead draw, and now that duel is about to continue, with proxies on both sides.
Remarkably, this episode was yet again able to draw out some really strong emotions without resorting to the killing off of anyone; it appears at first as though Kanba shoots Shoma in the gut with a real gun, but it’s only penguinshot. Then a teddybomb explodes right before Ringo, but she’s relatively okay, and only her diary burns. But now it seems that while the loss of the diary is a blow, it doesnt mean the end. It was only a record of spells of fate transferrance, the object itself wasn’t important. Everyone’s still alive for now, but if things are going to stay that way, the brothers are going to have to make up and take out the ghost that haunts them. Can’t wait for the finish.
Another victim is killed, but never appeared on television, vexing the gang. Kuma comes through the TV into the real world with a new human form beneath his mascot suit. The detective, Naoto, reports the killer is in police custody, but doesn’t know who he is. Mitsuo, a loner who is stalking Yukiko, is suspicious, but then he shows up on the Midnight Channel.
Not a lot happened this week. There’s another victim, more half-hearted investigation by the gang, a belated introduction of Naoto the detective, and a couple appearances of a really creepy guy with blank eyes. And Kuma has a ridiculous human form now, which is…interesting. Oh yeah, the gang is treated to huge bowls of noodles and meat on the house, only to be charged afterward. In other words, this was an episodeloaf.
It was made from real episode parts, chopped and formed, but lacking a designated binder; an egg. But the loaf wasn’t completely devoid of nutrition. We at least now finally know who that detective kid is, even if he’s still pretty tight-lipped. What we don’t know is if the introvert Mitsuo is a genuine threat, or just another victim of whomever is throwing people into the TV and killing them. I’m sure we’ll find out though. And Naoto still needs a persona.
As the girls start vigorously preparing for their big winter exhibition, Maon decides that instead of whistling or singing, she wants to do a recital, like one that moved her long ago. However, when the time comes to write something down, she has a lot of difficulty, which is compounded by the increasingly public buildup and expectation. With the support of her friends, she’s not only able to recite her story in front of a large audience at the Virgo theatre, but is able to recite the ending straight from her head. Her bold venture lends added courage to her friends in theirs.
As it’s been established that Maon is the group member with the most diverse and fleeting passions, we expected a degree of trepidation in her efforts to write a one-person play. But lo and behold, she follows through, by the seat of her pants and in the face of enormous anticipation – without any rehersal or even an ending in writing. Maon didn’t make it easy for herself – writing something can be far more emotionally and intellectually labor-intensive than, say, baking cookies, making tinctures, or snapping pictures.
Her story is simple, pleasant, and very much autobiographical. It wasn’t perfect, but she didn’t embarass herself up there like a presidential candidate, either. It was a nice touch for her to tell the story of how she literally found her voice thanks to friends like Norie, without whom she’d only dream of speaking to a full house in a theatre. Her friends are right there backstage cheering her on, and Fu is there to snap a tender moment when Maon is finished her story and basks victoriously in the bright lights and applause. Whatever Maon is, she’s no longer someone who never finishes things!