TRAP’s first chapter ranks third in the Jack polls, which is fine by any measure, but disappointing for Takagi. Mashrio says the only thing for it is to keep plugging away. But their work on the fifth chapter is interrupted by news that Aoki has dumped Nakai to write for NOOGY. Rather than heartbroken, Nakai decides to win her back by drawing outside her window every free minute he has. Just when everyone is about to stage an intervention for Nakai, who is drawing in a snowstorm, Aoki cracks and decides to keep working with him after all. The second chapter of TRAP falls to eighth.
For side characters, Aoki and Nakai are pretty complex. Aoki isn’t just the stone-cold bitch she appears to be on the surface, nor is Nakai a desperate, creepy stalker he appears to be. It’s more complicated than that. There’s no doubt that Nakai likes Aoki very much, and a lot of his actions are stalkeresque, but he has also bet everything on her manga, hideout door. He wants to prove himself to her. But she decides to work with KOOGY so she can tell the story she wants to tell – not bend to the will of Jack editors. Their standoff dominates this episode, and it was fun to see them back in action, along with Fukuda.
That standoff resolves itself without cheating. Aoki isn’t going to call the cops on Nakai, because part of her must know that he’s the best artist for her. Koogy’s all flash and no substance, but Nakai has been finely honing his art almost as long as the likes of Koogy have been alive. The scene where she finally comes outside to apologize is an awesome culmination of all the emotions expressed so far. She admits its her work she feels is inadequate, not his, and promises to do her best for his sake. Then Nakai gets overexcited about her inviting him in, that even manages to elicit a teensy scream from the stoic Aoki. There’s clearly unrequited love at play here, but the manga is more important than that.