Persona 4: The Animation – 01



Narukami Yu arrives in a new town to attend school while his parents are working abroad and live with his uncle, a local detective. He meets his new classmates, Chie, Yosuke and Yukiko, who go on about the “midnight channel”, in which staring at a TV on a rainy midnight will reveal one’s soul mate. Yu tries it and is nearly sucked in. He does it again with Chie and Yosuke watching, and all three enter an alternate plane where they’re met by a frekish bear thing and foes called shadows. Yu then beseeches the voice that had been in his head all along and releases a persona to fight off the baddies.

Our only previous exposure to the Persona franchise was the Trinity Soul video game for PS2, which we’ve never played, but have watched a friend play. Fortunately, one doesn’t have to know anything ahead of time to enjoy this series, which we did, quite a bit. It lulled a bit from the cryptic teaser to the introductions of the cast, but as the episode progressed it got far more interesting, dense and entertaining. It had a lot of video game-like qualities, is kinda scored like one, and features transitions of the date and weather whenever the day changes. The alternate plane has a nice slick whimsy, with just a touch of peril so it isn’t just silly.

This series is being directed by Seiji Kishi, who was also at the helm of Angel Beats! and Kamisama Dolls, while Yui Horie (Yuki-onna) lends her lively, expressive voice to Chie. A word on uniforms: they’re pretty off-the-wall. Black with contrast stitching resembling tailor’s marks and houndstooth collars and skirts. The character design is simple but has a nice edge to it, to go with the certain je nais sais qoui appeal of the overall aesthetic of the show. The opening and ending sequences also rock, there’s great budding chemistry amongst the lead cast and a sense of impending adventure afoot. Let’s see where this goes, shall we?


Rating: 4

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Sket Dance – 27

A new character arrives in the person of Remi Misora, a new teacher and former kid’s tv show host who calls herself “Onee-san”. At times she proves to be an extraordinarily careless klutz, leading the Sket-dan to seek out Chuu-san for a cure. However, while all of his potions change her personality, the underlying carelessness remains, after which he tells her to leave it be, as it’s whats makes her her. The second act deals with a found box of Switch’s random inventions, many terrifying, which end up saving the day and proving to Onee-san that the Sket-dan is capable of greatness.

Sket Dance turns in another solid, often hilarious outing, with a new opening by Gackt that’s much better than the last one, a new ending with nudity and chocolate, and in between, a new teacher who’s main strength is her passion. Indeed, she lends a great deal of energy to the show, and serves as an honorary fourth member of the Sket-dan all this week. We aren’t sure who voiced her (yet), but she does an excellent job both bringing the bright, bubbly Onee-san to life, and showing a wide range of personalities as she downs Chuu’s various potions (served in Sake bottles, making for two excellent bumper cards.)

With her character established, she takes a half-step back out of the spotlight, as this is primarily about Switch’s really wacked-out inventions, including a disembodied anime head that blows on hot ramen, a hyperrealistic baboon-head knapsack, hover shoes, a shoulder-dislocating cheer bazooka and neck-snapping homing goggles. Onee-san is quietly evaluating the Sket-dan with regards to their reputation as The Club that Helps, and it looks pretty bad, when all of a sudden all that random crap is put to practical use rescuing a kindergartener falling out the window. Ridiculous? Yes…but in the best way.


Rating: 3.5