After lots of excitement in Tokyo, Kamisama Dolls heads to Karakami village this week for some peace, quiet, and convalescence. Kukuri is repaired by the Utsuwashi (kakashi mechanics), we meet some new faces, and Utao’s master confirms to her that Kirio is indeed her younger twin brother. The two were seperated at birth (not literally, they weren’t conjoined twins) and he was raised by the Hyuga.
To make an SAT analogy: Utao : Kirio :: Kyouhei : Aki. Kirio and Aki are bitter that Utao and Kyouhei had easier lives. That bitterness has twisted both of them, but it may not be too late for Kirio. Koushiro seems to want to take care of Kirio, which makes you wonder where he’s been all the years the Hyuga master has beaten him. Also, as HIbino gets more involved with the Kugas, she wants to know what happened with Kyouhei and Aki in the past.
Overall, this is a nice respite, with much lighter fare than previous episodes. This series continues to excel with facial expressions – particularly Utao and Hibino’s faces are extremely emphatic – and quick action animation, as demonstrated with the comedy/fanservice setpiece where Utao tries flying Kukuri with Kyouhei and Hibino riding along. It involves both Kuga siblings pulling on either end of Hibino…meh, I guess you had to see it. :P
Kotetsu should really retire. His daughter Kaede needs him in this crucial time when her power(s) are coalescing, and his own powers dwindling. It just makes sense. Unfortunately, not only did he make zero progress last week communicating his wishes to Barnaby and the others, but thanks to Kriem, Barnaby has totally gone bye-bye. I’ll give Tiger this: he sure knows how to get himself into some friggin’ spots (or stripes. He’s a Tiger.)
This week’s title is, fittingly, “There’s no way out,” as Kotetsu has to try to help Bunny out of his funk. After retracing Bunny’s steps of the day his parents were murdered, Bunny passes out. When he comes to he finds Tiger on the phone with Kaede, hears everything, and, of course, gets the wrong idea. They fall out, and Bunny hangs with Mr. Maverick, who has all the answers for him.
The big secret Mav reveals is that he murdered Bunny’s folks. He’s a bad, bad man. They provided hero suits for his show, but when he started selling them to the criminals of Ouroboros to make the crimes more exciting – and hence the ratings higher – they objected. He killed them to keep the secret, and used his NEXT ability – memory implantation – to cover his tracks. Only Jake’s lack of a tattoo on his hand broke the illusion.
Needless to say, this is a lot to take in. Parts of me suspected Maverick may have been up to something, but not to this extent. It’s a little goofily diabolical, this plan of his, but it fits within this silly futuristic world of brash personalities.The things you do for love…in his case, the love of money.
Leave it to Sket Dance to take something as innocently mundane as a board game and go totally nuts with it. The game in question is called “Hyperion”, which I’ve never heard of, but it’s used as a vehicle to riff off of dozens of franchises and genres, as well as the practice of becoming a little too obsessed and involved in a game.
This is another one of Mr. Yamanobe’s games, and since it was a board game and not anything athletic, it was definitely worth a fresh episode. He warns Himeko that girls tend not to have fun playing Hyperion…and he turns out to be absolutely right. Everything about the game rubs her the wrong way, and she’s further irritated by how easily Bossun and Switch slip into utter madness.
Yamanobe keeps the game going by making the Sket-dan trek with him out to the countryside for the world tournament, but it only turns out to be two grandsons of Yamanobe’s late mentor, Master Wang. They were just fulfilling the wishes in Wang’s will. The now cosplaying boys snap out of it, much to Himeko’s relief. This episode wasn’t without its silly moments, but it was so blissfully absurd, it worked for me.
Ao no Exorcist keeps impressing, to the point where I almost wish it were a series the length of say, Soul Eater. The chemistry between characters – both positive and negative – is that good. And it would only get better with time…like wine. This week the big cliffhanger is resolved relatively quickly – Rin wakes up and is reunited with his sword and quickly dispatches Amaimon.
But while the Vatican is willing to go along with Phele’s gamble for now, Rin is going to have to win back the trust of some of his friends, namely Bon and Konekomaru. I like how everyone reacts differently to this new truth about Rin, and those reactions fit their characters. Particularly good is Izumo’s little pep talk at the end, which hints that she too may be half-human.
There’s even some nice moments between Yukio and Shura (no, not that nice), as the two were siblings of a kind in the past. Yukio has a lot on his plate: not only will his brother be killed if he goes berserk again, but he also has to make sure Rin passes the Exorcist’s exam six months from now, or…be killed.
Even better is Bon’s complex reaction. He did a lot to save Rin, but that doesn’t mean he won’t kill him hesitationless if he hurts anyone he cares about. The people most uneasy about Rin are those who lost loved ones to Satan. Can they trust his son? Can Rin control his powers? Hopefully, they can. We’ll see.
Whenever this series has gone off on a high school drama tangent, it can sometimes feel like a distraction from the primary inn setting. I mean, there are a lot of stories left to tell there, why deviate by doing a school festival two-parter? Alas, this is what we got, and to be fair, it isn’t bad. It just isn’t quite up to par. I found myself uninterested in chunks of this episode, which is never good.
Ohana, Minko and Yuina’s class decide to run a “princess cafe.” The class chooses Minko to be in charge of the food and Ohana in charge of the waitressing. This enables both of them to ply their craft in a new and less serious setting. Minko gets quite into it, but quickly runs into logistical issues – personnel – issues. If this is a dry run for running her own restaurant – something that’s no doubt one of her dreams – it’s not off to a good start. But it’s sure to build character.
Ohana and Yuina have fewer issues coordinating the waitresses, but Ohana manages to have a very bizarre dream featuring Kou in drag. The episode ends with a lot of uncertainty about how everything will turn out – particularly for Minko. Nako, meanwhile, is the only one helping a girl set up an art gallery. Probably not the best time to turn off her politeness filter…