Ikoku Meiro no Croisée 5

More ways of the French bemuse and confuse young Yune this week. She constantly wants to be of use, but in her new Parisian life, she’s neither required or expected to constantly work. She should fine time for leisure, to celebrate her freedom, to spend the money she’s made. But she’s having trouble understanding.

When I was in Japan I was amazed by how consistently kind, friendly, and helpful shopkeepers were, whether it was a 7 Eleven or a Toyota dealership. You receive a hearty welcome and the smiles hardly ever leave the faces of those working. Yune has this same mentality, but Claude warns her that in France, being too friendly or emotional to customers can scare them away.

When a young lad makes off with a candlestick (to later sell for food), she gives chase and gets lost in the gallery, neither of which boost her self-worth. When everyone either ignores her or gives her a strange look, she decides running and closing her eyes to be the best course of action, and…it is! She bumps into Claude. He repeats to her that her safety is more important than any item in the store. Yune took Claude’s advice too seriously. But she is learning.

Oscar makes a good point about a lot of the store’s wares (before going on a booty call): when electricity and such arrive, they’ll be rendered even more unnecessary. However, even things that are no longer useful are worth protecting. Do we still need butter churns? Or katanas? Not really; but those processes are a part of culture. Such arts must be preserved. Claude means to do that, and Yuna aims to help.


Rating: 3.5

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