Nako’s the quiet, shy, nervous one, right? Well, yes and no. Turns out Nako would have preferred to be born a fish, because she prefers swimming in a sea to the ordinary human world. But she considers her home a sea, and a haven, in which to be herself. She has a big, loving family that can be a hassle sometimes.
But this “Real Nako” is loud, cheerful, and assertive. Somebody we’ve only seen in the shortest of bursts – when she rescues the author from drowning, for instance. She is also grown quite comfortable with Ohana and Minko, to the point they’re almost like sisters…almost. She’s still nowhere near as loose and free around them as she is at home.
When she recieves a considerable raise from the madam manager, she assumes it comes with the expectation she’ll improve. This comes from her father’s philosophy towards child-rearing: praise your child, and she’ll strive to improve herself to be worthy of that praise (contrast this with her mother’s more tough-love stance). Nako is aware of the disconnect between her “real” self and how she acts at the inn, at school, and anywhere else in public.
After trying in vain to “change” herself by spending lots of money on a new outfit and coming to work trying to act like she does at home, she makes a mistake that lands her in trouble. It is then that the manager tells her her raise wasn’t a challenge, but a reward, after guests wrote her a glowing report. Despite not having to change, I do hope to see a little more of that real Nako; she was way more fun to watch.